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流浪者之鐘#1#2#3,染色木板/時鐘機芯/黑色壓克力/油墨,
80x60x3公分/80x60x3公分/80x80x3公分,2018

wanderer’s clock#1#2#3, Wood panel, Clockwork, Acrylic and  Ink,
80x60x3cm/80x60x3cm/80x80x3cm,2018



類似圍棋棋盤的黑色方格被繪製在方形木板的正中央,在自然的時間秩序之中,有著人為的秩序感,我從一橫一豎的方格線條中抽取出不同的組合,安裝上秒針的機芯,這被抽離出來的線條以一圈60秒的速度不斷地前進著,每一步都與棋盤線形成了不同的組合,然而在其中的一秒鐘,這段線條會回歸到整體之中。
時間若也是人內在的質地,那麼每個人都擁有不同的時鐘。流浪者的時鐘,在不斷前進的時間中每一步都踏出了不同的圖案,而在某一個瞬間,他則隱身在秩序之中,連他自己都些驚訝,這便是流浪者的時鐘。



Similar to a Go board, black squares are painted in the center of a square wooden panel. Amidst the natural order of time, there exists a sense of human-made order. From the horizontal and vertical grid lines, I extract various combinations and install a clock's second hand mechanism. The extracted line moves forward at a rate of one full circle every 60 seconds. With each step, it forms a different combination with the grid lines on the board. However, within a single second, this line returns to the whole.
If time is also an intrinsic quality of humans, then everyone possesses a different clock. The wanderer's clock, with every step it takes in the continuously advancing time, creates different patterns. Yet in a fleeting moment, it disappears into the order, even surprising itself. This is the wanderer's clock.